BY Andrea Stopa in General on Feb 17, 2014 |
"It is a straightforward as ordering a salad with no olives" reads the punch line in this spot-on blog post about the not-so-blurred lines of consent. (Yes, we are glaring at you Robin Thicke and every radio station to play the shit out of that horrible song).A simple story of a lady date between two cousins turns into a deeply thoughtful and compelling narrative about the importance of consent, the horrid abundance of victim blaming that occurs even within ... Read More
BY Abigail Nutter in Feminizzle on Feb 17, 2014 |
The internets and social media networks have been all abuzz about Ellen Page coming out in her speech at the Human Rights Campaign Time to Thrive Conference last week. If you live under a rock and/or haven’t watched it already, you really, really should. Her brave speech (seriously, tears just listening to her voice shake), the support from her fellow actors, and the media’s response to an actress choosing to “live openly and ... Read More
BY Michelle Beiter in Feminizzle on Feb 17, 2014 |
An Australian film school, Media Arts Productions Skills (MAPS) showcases student work on their website and YouTube channel. As I browsed through the many thoughtful and well done student pieces, one film in particular stood out, as it hauntingly tackling the heavy topic of rape and sexual assault.
DAMSELS is a short but poignant film that tells the story of rape culture from the viewpoint of a young girl experiencing the lasting effects of sexual ... Read More
On Saturday night Leslie Hall, of Leslie & The LY's, took to the stage at The Knitting Factory in Williamsburg, Brooklyn and charmed the pants off of every single member of the audience. (Well, not really. She did express her disappointment in how few pairs of pants were actually removed and tossed her way during her ultra-fun song “No Pants Policy”).
But it’s the high energy and lovable presence of Leslie that captivates her crowd and pretty ... Read More
BY Maggie Carr in Boob Tube on Feb 17, 2014 |
The episode begins with a cheeky shoutout to the world of Wes Anderson: a montage of Marnie preparing a spooky-yet-eleganza beachside manse for a girls-only weekend, complete with a banana-yellow title frame and chipper, and Tenenbaums-y strings in the background. It’s already clear that shit’s gonna get weird.
Now settled in that strange place where quirk meets melancholy, the crew arrives. Jessa has decided to ride in the back of the bus “for ... Read More