Story reprinted from the June/July 2013 issue of BUST MagazineCourtney Love is not happy.  She’s not happy with the pretty hairdo that the stylist has just worked on for an hour, not happy with the lovely look the makeup artist gave her, and not happy with the designer clothes the wardrobe stylists have picked out. And she’s definitely not happy with how she appears in the photographer’s first test shots. It’s not that she ... Read More
 Alida Nugent, of The Frenemy blog fame, has brought her witty snark to the literary world with this debut. The book—a collection of short essays on 20-something life—has fine writing and some genuinely funny lines, but I was initially put off by the subject matter. Nugent spends a lot of time bragging about failed attempts at maturity, seems to revel in her emotional and financial instability, and spends too many pages discussing how best to ... Read More
Two girls romp around the city, tap dancing and play fighting and falling asleep together like puppies. Except they’re not girls, they’re women, and they’re about to be smacked in the face by the reality of adult friendships. Frances (played by co-screenwriter Greta Gerwig) and Sophie (Mickey Sumner) are so tight that Frances turns down moving in with her boyfriend because she wants to keep living with Sophie. But when Sophie announces she wants ... Read More
I was lucky enough to catch the sold-out Little Boots show this past Tuesday night (in my business clothes, no less) , and lemme tell ya, good night, nurse! I strolled into the Music Hall of Williamsburg just as first opening band, Feathers, took the stage. All hail Feathers! They played the hell out of the best songs on their debut album, If All Now Here, filling the hall with their ominous, dance-y sound. I didn’t want it to end, and my only complaint ... Read More
Going to an Akron/Family show is like attending a hipster tent revival, so it’s fitting that the band’s sixth album is full of psychedelic hymns for its flannel-clad brethren. Mixing folk-y melodies with strange rhythms and switching time signatures and tempos constantly, the band has fully realized its signature genre on Sub Verses: prog folk. Expansive opener “No Room” is a primal waltz with a grinding, repetitive drumbeat and soaring, ... Read More