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Here's something new: The guy behind psychedelic-pop darlings Black Moth Super Rainbow has created a noise album you can dance to. | |||||
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At heart, this is nervous and compelling shit for heads stuck up their own asses. | |||||
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Everything But The Girl's Tracey Thorn is back, with her third solo release, Love And Its Opposite. As with her work in EBTG, Thorn successfully keeps the balance between acoustic-based tunes and alt-pop/electronic ones. | |||||
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TV on the Radio's awesome sophomore effort stays true to the group's experimental roots. | |||||
0 Vampire Weekend's self-titled debut earned the group a million great reviews, even more screaming fans, and, of course, a legion of haters. | |||||
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While Japan is nowhere near the powerhouse of the U.S. or the U.K. in terms of worldwide musical influence, it's always had a thriving pop-music scene. | |||||
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Sweet-soul-music fans, rejoice! Daptone, the label that has kept the authentic sounds of R&B alive from its base in Brooklyn since 2001, has released a stellar compilation of hits, rarities, and previously unreleased material from their talented family of artists. | |||||
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Female MCs take the mic in Fly Girls: B-Boys Beware Revenge of the Super Female Rappers, a collection of the ill-est (if not best known) voices of early hip hop. | |||||
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Bat For Lashes, the Muslims, Indian Jewelry, and other awesome avant-garde bands contribute their take on the Cure in this consummate collection. | |||||
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Variety rules on this Cure tribute filled with under-the-radar artists. |
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