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Be Yourself features up-and-coming (as well as some already known) folk musicians paying tribute to Graham Nash's first release, Songs for Beginners. | |||||
0 Indie sweethearts Viva Voce pair swooning voices with bold rock statements for the powerhouse release Rose City. | |||||
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This all-girl rock trio delivers jangly guitars and driving beats that sound like they were recorded in someone’s basement. | |||||
0 Packed tight with eerie, dark, and discordant rock-pop, Wetdog's Frauhaus! has the same appeal as finding yourself alone at a seedy carnival after the sun has set. | |||||
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White Denim’s name may reference the acid-washed ’80s, but on Fits, the Austin, TX, trio’s third full-length, their sound mines the acid-testing ’60s, hard-rock ’70s, alt-rock ’90s, indie-rock ’00s, and everything in between. | |||||
0 So-Cal garage rockers the Willowz deploy classic blues-rock riffs, swaggering vocals, and freewheeling guitar melodies in a way that ignites a touch of nostalgia for the rock ‘n’ roll glory days, whenever those were. | |||||
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While the band has been revamped, Wolfmother’s bluesy rock vibe returns in Cosmic Egg. | |||||
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Wreckless Eric’s latest is full of Beatles references, but ultimately delivers little more than cartoon-gooey pop and nostalgia. | |||||
0 Bittersweet, expressive folk-rock plucks heartstrings on Baltimore duo Wye Oak's album The Knot. | |||||
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Xiu Xiu is the brain baby of experimental indie rocker Jamie Stewart, and on Dear God, I Hate Myself he’s joined by new bandmate Angela Seo, who takes on piano, synth, and drum-programming duties. |
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