Tag » Twee Valley High
  “When you publish content or information using the public setting, it means you are allowing everyone, including people off of Facebook, to access and use that information, and to associate it with you (i.e., your name and profile picture).” Those words, taken from Facebook’s Statement of Rights, serve as inspiration behind the photographer Jenna Garrett’s ongoing series The Public Profile of an American Girl. As part of a larger ... Read More
  Lee Materazzi and her mother are both photographers; while Materazzi works in fine art, her mother has formal training in commercial photography. In Materazzi’s new series on “disrupted domestic acts,” the mother and daughter’s divergent aesthetics come to a head, producing dynamic images that explore the very nature of domestic life.    Materazzi, who has often photographed her mother, allowed her mother to take over for ... Read More
  Religious or not, many worship the Christmas tree. Within religious literature and the most personal family traditions, the tree represents birth and death; every winter, we might erect it and toss it aside weeks later, only to have it reborn next year. Sometimes we immortalize real trees with precious ornaments and family photographs that will be framed forever.     For those of us who mourn our trees after they leave our homes is Gergo ... Read More
  For his touching series “One Day My Child You Will Be,” the famed photographer Malo reminds viewers of the attainability of childhood dreams. The work comprises a group of images in which his then 3-month-old daughter dresses for various careers and lifestyles. In a total breakdown of the gendered ways in which infants might be portrayed in the photos above the mantel, she becomes a superhero, a doctor, a ballerina, and even the first female ... Read More
Trigger Warning: This post contains discussion of prostitution While on display at Leslie Tonkonow Artworks + Projects little over a week ago, Malerie Marder’s thirty portraits hung unframed, pinned simply to the wall. Part of the artist’s first solo show, each photograph in Anatomy depicts one of the Netherlands’s diverse group of legal sex workers. The work is also available in book form.     In previous projects, Marder has ... Read More
  Melissa Zexter’s photographs are unlike any you’ve ever seen. Marrying photography and embroidery, she hand-stitches illustrations over her intimate portraits of women and children. In each image, she heightens the drama of quiet moments of reflection with explosive patterns and bursts of color. With an interest in exploring representations of femininity, Zexter enters a beautiful and imaginative world all her own.    To this day, ... Read More
  Like children, our dogs are often our surrogates; we project our most profound desires and our silliest musings onto them, and they stare back at us with loving and knowing eyes. It’s said that dogs and their human companions begin to look alive and share mannerisms after a long friendship.     For New York City’s high fashion elite, there’s a doggie universe that caters to the most extravagant dreams of luxury. In her ... Read More
  In the late 1880s, Kodak released the box camera, the first camera available to the masses. Prior to its release, cameras were typically popular amongst trained scientists and artists, but the box introduced the ease of the snapshot; its tagline read, “You Press The Button, We Do The Rest.” Families who might not have been able to afford painted portraits could capture memories in film; the Kodak moment was born.     For $25, ... Read More
  Reinterpretations of Disney princesses are big right now. At their best, the princesses offer complex portrayals of women who struggle to find their identifies and courageously assert themselves. But they also send conflicting messages about the powerful female: while many discover the beautiful complexities of love, others are simply rescued by a prince.    The most recent take on the Disney ladies comes from the photographer Ryan Astamendi, ... Read More
  The photographer Amy Powell was 20-years-old when her half-sister Erica was born; she photographed her mother as she gave birth, and she cut Erica’s umbilical cord with her own hands. In her series Erica & I, Powell examines her much-younger sister for traces of her own girlhood memories.     In the moving series, she lays out the puzzling and quiet moments of growth that are so often excluded from the family photo album. In one ... Read More
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