Tag » Women in Film
Carrie Brownstein, Portlandia comedy queen and feminist rock-star extraordinaire from the band Sleater-Kinney, is embarking on a new project that will take her headlong into the wonderful world of Austen fandom. Brownstein will complete the screenplay of Lost in Austen, begun by three-time Oscar nominated writer (When Harry Met Sally) and director (Sleepless in Seattle, Julie and Julia) Nora Ephron, but cut short by her passing in 2012. Though this will be her ... Read More
A couple of days ago, Nathan Rabin, the creator of the ever-so-catchy term 'manic pixie dream girl' wrote an apology on Salon, expressing how deeply sorry he was for coining the term. As someone who l-o-v-e-s to analyze harmful tropes of women in film and TV (given that we have so many options to choose from) I was a little hesitant to take his apology seriously. While, sure, he may feel sorry that what started out as a funny phrase to call a screenwriting ... Read More
It’s about time we had the female-driven answer to "127 Hours". Written and spoken tales of surviving in the American wilderness have been around since the beginning of our history and are a fundamental part of our country's lore. But, as history and our modern media would have it, these tales traditionally focus on men - our Lewis and Clarks, our Jack Londons. But where are our Sacagaweas? Strayed's own image from her journey Cheryl ... Read More
Rocks in My Pockets is an animated movie for adults that poses the question, “How do you stay sane in this crazy world?”  While this particular line of thinking is nothing new, the film, funded by over 800 Kickstarter contributions, searches for answers via five women and their personal battles with depression and suicide. Creator Signe Baumane, a Latvian-born, New York-based artist, uses both hand-drawn and painted animation paired ... Read More
  For last week’s feature in Elle magazine, Amy Poehler described her ravenous appetite for her craft, revealing her excitement about her new directing and producing gig on Broad City and her upcoming book, which she lovingly refers to as a self-help/memoir hybrid.    For Poehler and women everywhere, this is an exciting time. Her passion for women’s rights and female empowerment shines through her her every move, from her website Amy ... Read More
Attention everyone: the girls are back in town (did they ever leave?). The Brooklyn Academy of Music will be hosting a film series entitled "Vengeance is Hers" from February 7-18. Get ready for this tribute to some of the greatest roles written for women in film history: "From screwball proto-feminism to witchy gothic horror to cerebral auteurist classics, this series gathers some of cinema’s most unforgettable heroines and anti-heroines as they seize ... Read More
  Geena Davis has been increasing awareness on Hollywood sexism for over ten years with her foundation, the Institute on Gender in Media. The research-based institute has commissioned the largest body of information on gender in film and television ever gathered. And recently she took to the Hollywood Reporter's Women In Entertainment Power 100 issue with a guest column on the ways the film industry can improve itself and the world around it, published today ... Read More
  This week the New York Film Academy blog released a study on gender inequality in the film industry, presenting some truly dire statistics about women both in front of and behind the camera. The data is drawn from the top 500 movies of the past five years and comes in the form of a series of infographics that showcase just how unbalanced the industry really is. First there’s the familiar information: women are much more likely than men to be shown ... Read More
  I am so sick of the lame old stereotype “women are more emotional than men.” Aside from being blatantly false, it does damage. Often, women are disrespected in the workplace if we get heated over something important, or we’re told to “stop PMS-ing” if we have a personal drama. I will always remember the Sex and the City episode in which Samantha Jones is berated for being a working woman and cries only when she gets in the ... Read More
  From Scary Movie onwards, Anna Faris has brilliantly subverted female lead movie tropes. In the 2011 The New Yorker piece “Funny Like A Guy,” she express her desire to verge from the Type A, likable and romantic roles offered to so many Hollywood starlets. She craves grit and authenticity: “I’d like to explore Type D, the sloppy ones,” she said.    So it makes sense that Faris’s relationship with Barbie, an ... Read More
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