Tag » album review
I’m stoked to say that even after a long break, indie-pop icons Tegan and Sara have still got it—as demonstrated one Thursday night in January when the Canadian sibling duo packed the basement venue at The Standard in the East Village. The sisters laid down old favorites as well as new tracks off their first album since 2009’s Sainthood. Both women took the chance between songs to get personal with the crowd, sharing the inspirations behind their ... Read More
Sometime around the release of his 1984 album Climate of Hunter, Scott Walker discorporated and his consciousness scattered. Periodically, he’s able to gather his atoms back together and create a harrowing dispatch from the ether before vanishing for another decade or so. His once-golden voice reduced to a haunted wail, Walker painstakingly recreates the sounds of traveling through half-existence surrounded by phantoms of the 20th century’s cruelty. ... Read More
Ellie Goulding’s debut Lights reached the U.S. in 2011, but it didn’t take off for over a year. Now, Goulding is new pop royalty, and Halcyon presents a stark contrast to her introduction. Where Lights possessed an almost naïve view of the world, Halcyon shows her to have matured. Songs like “My Blood” and “Dead in the Water” take hopelessness to new heights. There are some nods to EDM—as on the Calvin ... Read More
Crystal Castles set the bar pretty high for their third release. After all, NME named their eponymous debut the 39th greatest album of the last decade, and their sophomore effort received widespread critical acclaim. Luckily,  Alice Glass and Ethan Kath show no signs of slacking off on (III). This time around, they’ve abandoned some of the thrashing punk of their self-titled 2008 release while retaining the abrasive energy of a noise band. The result? A ... Read More
Lightning strikes a fourth time with Matt and Kim’s newest album. If the Brooklyn duo seems familiar, perhaps it’s because you saw their bare-naked asses in the now-classic “Lessons Learned” video. Behind the keyboard, Matt Johnson’s deviant, almost Dookie-esque vocals combined with Kim Schifino’s gung-ho drumming make for an upbeat, heart attack-paced record with just a hint of disco. As the first of several party anthems on ... Read More
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