Tag » album review
Ellie Goulding’s debut Lights reached the U.S. in 2011, but it didn’t take off for over a year. Now, Goulding is new pop royalty, and Halcyon presents a stark contrast to her introduction. Where Lights possessed an almost naïve view of the world, Halcyon shows her to have matured. Songs like “My Blood” and “Dead in the Water” take hopelessness to new heights. There are some nods to EDM—as on the Calvin ... Read More
Crystal Castles set the bar pretty high for their third release. After all, NME named their eponymous debut the 39th greatest album of the last decade, and their sophomore effort received widespread critical acclaim. Luckily,  Alice Glass and Ethan Kath show no signs of slacking off on (III). This time around, they’ve abandoned some of the thrashing punk of their self-titled 2008 release while retaining the abrasive energy of a noise band. The result? A ... Read More
Ever fancy yourself doing the hula on the sands of Hawaii? Singer-songwriter Victoria Bergsman’s musical outfit Taken by Trees can transport you there, metaphorically speaking, with her third album Other Worlds. During a visit to the idyllic paradise, Bergsman found herself amidst a creative swell, so much so that she fashioned the LP as an impressionist poem that sings the tropical locale’s praises. On “Only You,” Bergsman lulls, ... Read More
Oh Blues Explosion, where have you been? Who’s been playing that dripping-wet, gut-punching, sleaze-blues noise that you so reliably delivered? After the comparatively cleaner albums Plastic Fang and Damage, and a long hiatus, I thought JSBX were happily semi-retired. But lo! Not only are they back with a new record, but it’s also their dirtiest bit of business since 1998’s Acme. With a jagged riff that tears hunks out of your scalp, opener ... Read More
  In the three and a half years since Bat for Lashes (aka Natasha Khan) released Two Suns, her brand of vaguely goth chamber pop has taken off—just ask Florence + the Machine, Zola Jesus, or Grimes. Those ladies are wonderful, of course, but we’ve missed Bat for Lashes’ singularly weird beauty. On her third album, The Haunted Man, Khan’s talent is out in full force. Opener “Lilies” kicks things off with an operatic, ... Read More
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