Tag » album review
Lightning strikes a fourth time with Matt and Kim’s newest album. If the Brooklyn duo seems familiar, perhaps it’s because you saw their bare-naked asses in the now-classic “Lessons Learned” video. Behind the keyboard, Matt Johnson’s deviant, almost Dookie-esque vocals combined with Kim Schifino’s gung-ho drumming make for an upbeat, heart attack-paced record with just a hint of disco. As the first of several party anthems on ... Read More
Ever fancy yourself doing the hula on the sands of Hawaii? Singer-songwriter Victoria Bergsman’s musical outfit Taken by Trees can transport you there, metaphorically speaking, with her third album Other Worlds. During a visit to the idyllic paradise, Bergsman found herself amidst a creative swell, so much so that she fashioned the LP as an impressionist poem that sings the tropical locale’s praises. On “Only You,” Bergsman lulls, ... Read More
Oh Blues Explosion, where have you been? Who’s been playing that dripping-wet, gut-punching, sleaze-blues noise that you so reliably delivered? After the comparatively cleaner albums Plastic Fang and Damage, and a long hiatus, I thought JSBX were happily semi-retired. But lo! Not only are they back with a new record, but it’s also their dirtiest bit of business since 1998’s Acme. With a jagged riff that tears hunks out of your scalp, opener ... Read More
  In the three and a half years since Bat for Lashes (aka Natasha Khan) released Two Suns, her brand of vaguely goth chamber pop has taken off—just ask Florence + the Machine, Zola Jesus, or Grimes. Those ladies are wonderful, of course, but we’ve missed Bat for Lashes’ singularly weird beauty. On her third album, The Haunted Man, Khan’s talent is out in full force. Opener “Lilies” kicks things off with an operatic, ... Read More
Jumping seamlessly from style to style and interweaving elements from garage rock, ’60s girl groups, and cabaret, the music of Austin-based duo Agent Ribbons is hard to classify. On Let Them Talk, the band takes a lighter turn than on its past two full-lengths and embraces the whimsical side of its twisted-fairytale style. Opener “Family Haircut” begins with ethereal “oohs” sung over ominous drums, but soon enough, the pace picks up ... Read More
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