Tag » album review
 The Dirty Projectors aren’t known for musical simplicity, but on the band’s sixth album Swing Lo Magellan, it takes a stab at stripped-down soul and R&B, mixed with the sprawling orchestral arrangements, handclaps, and neo doo-wop flourishes they love. “About to Die” sounds like frontman David Longstreth’s attempt at a drive-in classic, and single “Gun Has No Trigger” loads up on the “oohs” and ... Read More
   Purity Ring, the Canadian electronic duo of Corin Roddick and Megan James, sounds like water so freezing cold it shocks your skin—it’s surprising, uncomfortable, and disorienting. Icy-blue notes appear throughout their debut full-length album, Shrines, as James’ aloof-but-assertive vocals go in and out of focus, trading places moment to moment with spastic synthesizers. Roddick handles that instrument, turning delicate melodies ... Read More
Dream-psych duo Peaking Lights’ third full-length album, Lucifer, is their most accessible yet. Out June 19th on Mexican Summer in the US and on Weird World June 18th in the U.K, it follows last year’s release of the incredible summer lovin’ 936. This latest album contains a similar meditative atmosphere, with grooving rhythms and rich textures, but it's gentler than their 2011 record. Lucifer is comparatively more like a ... Read More
Some artists get better with age, and Patti Smith is definitely one of them. With the recent success of her book, Just Kids, about her relationship with late photographer Robert Maplethorpe, Smith’s receiving the most attention she’s had since the late 1970s. I’d bet that many of those who’ve read Just Kids aren’t even very familiar with Smith’s music. This makes the timing of her newest musical album, Banga, rather perfect. The ... Read More
Brooklyn based quintet Friends are set to release their debut album, Manifest!, on Fat Possum Records June 5th, just in time for the summer. Brimming with tropical pop rhythms and percussive tribal beats, this album is perfect for hot rooftop parties and beach side dances the gals of Blue Hawaii would be jealous of. The album opens with the explosive and catchy “Friend Crush,” full of rippling synth lines and reverb-laden vocals reminiscent of Karen O ... Read More
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