Warning: This post may not be safe for work.
Images of idealized beauty permeate most of the media we consume, and it has for hundreds of years; throughout decades dominated by shifting aesthetics and beauty standards, the idea of the attractive female has taken numerous forms. Titian’s reclining Venus, for example, is shaped differently from the fashion models of today’s ad campaigns, and African diasporic art offers yet another ideal. More often ... Read More
Warning: This post may not be safe for work.
The artist’s Maria Raquel Cochez’s impressive body of work is powerfully autobiographical, cataloging her painful struggle with eating disorders, weight loss surgery, and recovery. In her recent photographs, she claims the human right to accept and love her body, promoting body acceptance for all women in the process. For her “CKMe” and “Another Mermaid” project, she inserts ... Read More
BY Andrea Stopa in General on Apr 02, 2014 |
Waitresses are terribly under appreciated -- not only are they bombarded with demanding customers, required to work odd and varied hours, and stink like cooking after their shifts, they also rely on tips to make a living wage, as they are paid next to nothing hourly. That's why watching this endearing waitress have the best shift of her life is so satisfying. Be prepared to smile and maybe shed a few happy-tears: The Chelsea in the video is ... Read More
For the artist Annette Thas, Barbie is a disturbingly bittersweet symbol of childhood nostalgia and longing; for installation piece “Wave I,” she uses between 3,000 and 5,000 barbie dolls to build a sculptural wave, re-appropriating the doll as a means of translating her earliest memories, scenes which now flood her after returning to Belgium to care for her ill sister.
For the artist, the wave is meant to convey her own ... Read More
Trigger warning: mildly graphic imagery
In a startling critique of the ways in which images of women’s bodies are consumed, the artist Jessica Ledwich presents “The Fanciful, Monstrous Feminine,” a collection of surreal photographs documenting the psychological consequences of contemporary beauty standards and practices. For Ledwich, female sexuality is viewed as “threatening” and is therefore oppressed; here, she ... Read More
When the photographer Julia Kozerski lost literally half her body weight, dropping from 338 to under 178 lbs, she cataloged her complex emotional reaction to her physical transformation in a series titled Half. Unlike most most weight loss media aimed at shaming women for our bodies, the artist avoids the display of any cheerful post-weight-loss confidence, forcing viewers to consider the murky and provocative intersections of body image and ... Read More
Remember Andy Warhol’s 1960s New York “Factory,” filled to the brim with feminists, working and single woman, and artists? For his recent project, the photographer Pascal Pierrou hopes to present a modern vision of similar women who refuse to conform to conventional beauty standards by shaving their heads or filling their flesh with stunning tattoos.
His decision to photograph his subjects under a sort of stylized, ... Read More
Remember when artist Nickolay Lamm created a representation of a realistically-proportioned Barbie doll based off of the body of an average 19-year-old? The internet applauded his efforts, and through his stark visual comparison between Barbie and the average girl, the public began to seriously question the effects of the impossibly thin, tall, and full-chested doll on the relationship between young girls and body image.
Possibly in ... Read More
“In this society, there’s so much pressure for women to be thin,” writes the photographer Lee Price of her motivation for her recent series of hyper-realistic oil paintings of women consuming desserts, “we’re not supposed to have appetites—and not just for food, but for a lot of things.”
Her goal in these vivid works is to present an alternate view of women, food, body image, and ... Read More
The selfie photograph is potentially profoundly empowering, but as a genre it can also be repetitive and affirming of specific and exclusive ideas about beauty and female self-worth; it all depends on the selfie in question. Amidst the plethora of staged selfie images, one selfie we don’t see very much is a selfie in which a woman’s body is changing unpredictably, and that’s what makes the photographer Sophie Starzenski’s 40 Weeks and a ... Read More