Tag » music review
What do swimming pools, sexual voyeurism, elevators, and eco-terrorist extraterrestrials have in common? They’re all the subjects of songs on Hotel Valentine, Cibo Matto’s first release in 15 years. Much of the album is written from the perspective of a wry ghost who haunts a hotel and delivers deadpan lines like, “I had some cheese and seedless grapes for lunch and floated around for the rest of the afternoon.” The band’s ... Read More
Female musical artists have been blowing up both the mainstream and alternative charts the past couple of months. We are only 21 days into March, Women's History Month might I add, and a number of talented ladies have released some of the most bad-ass albums and singles we have heard all year. Here are a few of the favorites from this month that you should definitely listen to and keep on your radar. 1.) MøDanish electro-pop artist, Karen Marie ... Read More
Here’s the thing: those of us that are willing to shamelessly drown in the depths of repetitive, predictable, and overtly romantic bro-rock indie music, tend to welcome almost all attempts at acoustic recordings. That’s why when Seattle group Band of Horses released their newest album Band of Horses: Acoustic At The Ryman the mushy hearts of BUST were totally down. In most other places, the album (released on February 11, 2014) was not as ... Read More
When I tell Loke Rahbek of the Danish band Vär that their debut LP No One Dances Quite Like Our Brothers (Sacred Bones Records) makes me feel like I’ve just drank a little too much GHB, he tells me he actually likes the description. It makes sense to equate Vär’s dark, sludgy electronic feast to the drug commonly associated with date rape. “I knew a guy who died from GHB once,” Rahbek says.  I tell him that you have to be ... Read More
Okay, to suggest that Brooklyn band Sharkmuffin has their sights on total world domination may be a stretch. However, their recently released EP, She-Gods of the Champagne Valley, IS the perfect summertime album for girls who dreamed of being Tura Santana when they were little. And whether they're dedicating a single to Pussy Riot, or playing at feminist art houses (hauses?) guitarist Tarra Thiessen and bassist Natalie Kirch have developed a sound that’s raw ... Read More
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