Tag » music review
Ellie Goulding’s debut Lights reached the U.S. in 2011, but it didn’t take off for over a year. Now, Goulding is new pop royalty, and Halcyon presents a stark contrast to her introduction. Where Lights possessed an almost naïve view of the world, Halcyon shows her to have matured. Songs like “My Blood” and “Dead in the Water” take hopelessness to new heights. There are some nods to EDM—as on the Calvin ... Read More
Ever fancy yourself doing the hula on the sands of Hawaii? Singer-songwriter Victoria Bergsman’s musical outfit Taken by Trees can transport you there, metaphorically speaking, with her third album Other Worlds. During a visit to the idyllic paradise, Bergsman found herself amidst a creative swell, so much so that she fashioned the LP as an impressionist poem that sings the tropical locale’s praises. On “Only You,” Bergsman lulls, ... Read More
With our days numbered and the end of the world imminent, Brooklyn-based Prince Rama’s sixth release couldn’t have come at a better time. For Top Ten Hits of the End of the World, the ex-Hare Krishna siblings have compiled a cover album of 10 fabricated popular bands that died during the apocalypse. While the sisters summon up the spirits of each chart-topping group, every song is still replete with their signature synths, psych-pop, tribal drumming, ... Read More
Wanda Jackson may be approaching her 75th birthday, but the Queen of Rockabilly shows no signs of slowing down. On her 31st album, Jackson goes back to her roots with the signature mix of rockabilly and country that made her famous in the late 1950s. Unfinished Business features five new tracks and five covers of tracks by artists from Etta James to Woody Guthrie to the Rolling Stones. Produced by established folk musician Justin Townes Earle (son of Steve Earle), ... Read More
Jumping seamlessly from style to style and interweaving elements from garage rock, ’60s girl groups, and cabaret, the music of Austin-based duo Agent Ribbons is hard to classify. On Let Them Talk, the band takes a lighter turn than on its past two full-lengths and embraces the whimsical side of its twisted-fairytale style. Opener “Family Haircut” begins with ethereal “oohs” sung over ominous drums, but soon enough, the pace picks up ... Read More
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