Posted by: BUST Magazine
in Music Stuff
on Sep 19, 2012
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If you enjoyed the cacophonous hooks of Micachu and the Shapes’ 2009 debut Jewellery, you’ll be happy to hear much of the same on the band’s second studio album Never. The LP may seem languid upon first listen, but it packs a punch. Although she’s classically trained, frontwoman Mica Levi finds merriment in the use of nontraditional instruments and household objects on Never—therein lies its uniqueness. ...
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Posted by: BUST Magazine
in Music Stuff
on Sep 17, 2012
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Despite its title, Eleni Mandell’s eighth solo album, I Can See the Future, is the opposite of forward-looking, in a good way. A lovely trip into the past, it’s deliberately old-fashioned, lo-tech, and rooted in mid-century country and pop sounds. “Magic Summertime” has vintage R&B-style chord changes that could have soundtracked a slow dance at the prom in Grease, while Mandell’s sultry phrasing on ...
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Posted by: BUST Magazine
in Music Stuff
on Aug 10, 2012
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Belgian songstress Selah Sue may look like a model with her golden nest of hair, but she has powerful pipes and true talent. Her self-titled debut offers her distinctive take on smooth soul laced with tropical reggae beats; the album is filled with reckless rapture and fiery attitude. “I’m feeling real passionate,” Sue howls in “This World,” an explosive ballad that might inspire you to caress a glass of ...
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Posted by: Intern Jessica Butler
in Music Stuff
on Aug 02, 2012
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Austin based, San Francisco raised babes Natalie Gordon and Lauren Hess of Agent Ribbons are at it again with their upcoming EP Let Them Talk, out September 11th on Antenna Farm Records. The newest track off of the record, “Family Haircut,” is a promising preview of things to come, with its beautifully haunting sounds and harmonies. The single opens with some ethereal ‘oohs,’ accompanied by strong, punctuated ...
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Posted by: BUST Magazine
in Music Stuff
on Jul 26, 2012
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Purity Ring, the Canadian electronic duo of Corin Roddick and Megan James, sounds like water so freezing cold it shocks your skin—it’s surprising, uncomfortable, and disorienting. Icy-blue notes appear throughout their debut full-length album, Shrines, as James’ aloof-but-assertive vocals go in and out of focus, trading places moment to moment with spastic synthesizers. Roddick handles that instrument, ...
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