Tag » music review
  If you enjoyed the cacophonous hooks of Micachu and the Shapes’ 2009 debut Jewellery, you’ll be happy to hear much of the same on the band’s second studio album Never. The LP may seem languid upon first listen, but it packs a punch. Although she’s classically trained, frontwoman Mica Levi finds merriment in the use of nontraditional instruments and household objects on Never—therein lies its uniqueness. The first track ... Read More
  Despite its title, Eleni Mandell’s eighth solo album, I Can See the Future, is the opposite of forward-looking, in a good way. A lovely trip into the past, it’s deliberately old-fashioned, lo-tech, and rooted in mid-century country and pop sounds. “Magic Summertime” has vintage R&B-style chord changes that could have soundtracked a slow dance at the prom in Grease, while Mandell’s sultry phrasing on songs like ... Read More
  Belgian songstress Selah Sue may look like a model with her golden nest of hair, but she has powerful pipes and true talent. Her self-titled debut offers her distinctive take on smooth soul laced with tropical reggae beats; the album is filled with reckless rapture and fiery attitude. “I’m feeling real passionate,” Sue howls in “This World,” an explosive ballad that might inspire you to caress a glass of Jamaican rum. ... Read More
Austin based, San Francisco raised babes Natalie Gordon and Lauren Hess of Agent Ribbons are at it again with their upcoming EP Let Them Talk, out September 11th on Antenna Farm Records. The newest track off of the record, “Family Haircut,” is a promising preview of things to come, with its beautifully haunting sounds and harmonies. The single opens with some ethereal ‘oohs,’ accompanied by strong, punctuated drumming that then expands into ... Read More
    Purity Ring, the Canadian electronic duo of Corin Roddick and Megan James, sounds like water so freezing cold it shocks your skin—it’s surprising, uncomfortable, and disorienting. Icy-blue notes appear throughout their debut full-length album, Shrines, as James’ aloof-but-assertive vocals go in and out of focus, trading places moment to moment with spastic synthesizers. Roddick handles that instrument, turning delicate melodies ... Read More
Dream-psych duo Peaking Lights’ third full-length album, Lucifer, is their most accessible yet. Out June 19th on Mexican Summer in the US and on Weird World June 18th in the U.K, it follows last year’s release of the incredible summer lovin’ 936. This latest album contains a similar meditative atmosphere, with grooving rhythms and rich textures, but it's gentler than their 2011 record. Lucifer is comparatively more like a ... Read More
Brooklyn based quintet Friends are set to release their debut album, Manifest!, on Fat Possum Records June 5th, just in time for the summer. Brimming with tropical pop rhythms and percussive tribal beats, this album is perfect for hot rooftop parties and beach side dances the gals of Blue Hawaii would be jealous of. The album opens with the explosive and catchy “Friend Crush,” full of rippling synth lines and reverb-laden vocals reminiscent of Karen O ... Read More
It’s hard to believe it’s been almost four years since New Zealand’s Ladyhawke, otherwise known as Pip Brown, burst onto the scene with her immensely danceable debut record, but her second album Anxiety will make you forget she ever left. “Girl Like Me” starts things off with a Metric-inspired bang, with Brown’s smoky vocals cascading over layers of snappy drums and punchy bass lines. First single “Black White & ... Read More
Rachael Sage performs at her album release party at Joe's Pub Songstress Rachael Sage had a release show for her latest album, Haunted by You, this past weekend, and it was pretty great. In addition to the kazoo and chair dancing, feather boas and tap dancing were also present. Sage probably throws one hell of a house party. Sage performed several songs off Haunted, hopping between piano and guitar throughout the show (her latest album is filled ... Read More
At 17, I waited for hours on end to be front-row-center for my favorite new songstress Regina Spektor at Austin City Limits. The festival experience was grueling yet thrilling, and as the show came to end, all I could think was, “That was totally worth it.”  So at her recent show, as she started to sing, a wave of nostalgia came over me. The venue for this performance, the United Palace Theater, was quite grandiose and seemingly fit for an opera. ... Read More
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