Tag » music supervision
“The best film music is not heard,” quotes Claudia Gorban in her essay Music as Salvation: Notes on Fellini and Rota. She tastefully disagrees with this quote, asking why is that people focus so much on the “background” music in Fellini’s films? I ask myself the same question. Why is that I focus so much on the background music? Our non-diegetic friend that is lurking behind what is going on on-screen stands out further to me than any ... Read More