For his touching series “One Day My Child You Will Be,” the famed photographer Malo reminds viewers of the attainability of childhood dreams. The work comprises a group of images in which his then 3-month-old daughter dresses for various careers and lifestyles. In a total breakdown of the gendered ways in which infants might be portrayed in the photos above the mantel, she becomes a superhero, a doctor, a ballerina, and even the first female ... Read More
Trigger Warning: This post contains discussion of prostitution
While on display at Leslie Tonkonow Artworks + Projects little over a week ago, Malerie Marder’s thirty portraits hung unframed, pinned simply to the wall. Part of the artist’s first solo show, each photograph in Anatomy depicts one of the Netherlands’s diverse group of legal sex workers. The work is also available in book form.
In previous projects, Marder has ... Read More
Like children, our dogs are often our surrogates; we project our most profound desires and our silliest musings onto them, and they stare back at us with loving and knowing eyes. It’s said that dogs and their human companions begin to look alive and share mannerisms after a long friendship.
For New York City’s high fashion elite, there’s a doggie universe that caters to the most extravagant dreams of luxury. In her ... Read More
The photographer Amy Powell was 20-years-old when her half-sister Erica was born; she photographed her mother as she gave birth, and she cut Erica’s umbilical cord with her own hands. In her series Erica & I, Powell examines her much-younger sister for traces of her own girlhood memories.
In the moving series, she lays out the puzzling and quiet moments of growth that are so often excluded from the family photo album. In one ... Read More
The photographer Traer Scott is a master of animal portraiture; in her series Shelter Dogs, she poignantly captures the soulful dignity of dogs living in shelters. In the vein of fine art or editorial portraiture, Scott uses meticulous lighting and rich black and white tones to underscore the earnest humanity of her subjects.
Each moving shot presents its canine sitter with attention to details that reveal the wisdoms, heartbreaks, and ... Read More
Drag Queen Pattaya
In Half-Drag, the renowned photographer Leland Bobbé aims to explore the personal and cultural implications of the tensions between “feminine” and “masculine” aesthetics. A diverse set of New York City drag queens serve as his subjects, but only one half of their form undergoes the transformation, leaving half of the sitter’s visage untouched by make-up, shaving, or hair pieces.
Drag ... Read More
In the Mexico state Oaxaca, individuals assigned male who identify as female are adored and viewed as carriers of good fortune. Called “muxes,” these individuals have a culture and legendary history all their own. The story passed down is a magical one: the patron saint of the town Juchitán, named San Vincente Ferrer, is said to have dropped the muxes out of his weathered and hole-filled pockets when he travelled on a holy ... Read More
The photographer Rhiannon Schneiderman captivates viewers with her beautifully intimate yet political images. From her personal snapshots of friends and partner, captured on disposable cameras, to vivid and advanced digital renditions of bloody tampons and downy vulvas, she has built a name for herself as an outspoken feminist artist who creates work that is both beautiful and courageous. Schneiderman’s work challenges the aesthetic expectations of ... Read More
In Flower Woman, the photographer Eunice Adorno enters the Mennonite community Nuevo Ideal, in Durango, and The Onda Zacatecas, hoping to scratch beneath the surfaces of stereotypes and uncover deeper truths about the women’s lifestyles. The character of the strict and austere Mennonite female is replaced with a more honest and nuanced exploration of female friendships and family.
The images are whimsical, displaying the women sporting ... Read More
The family photo album came into vogue in the 1800s, soon after photography was invented; the relatively quick process was convenient for middle class families who could not afford a painting. This isn’t to say that photography was ubiquitous; on the contrary, most folks could only afford to have one shot within their lifetimes. So unlike families today, who can easily upload thousands of images, Victorian families cherished each and every shot. It ... Read More