BY Bridgette Miller
on Sep 18, 2014
I’m not going to pretend that I’m just a regular person with a working knowledge of Jeff Goldblum’s mainstream oeuvre who happened to be lucky enough to catch the actor playing some jazz music with his band on Tuesday night. I should be honest with you, reader, because me seeing Jeff Goldblum play some jazz music with his band on Tuesday night is proof of the principle that I maybe just invented that if you put something out there into The ... Read More
Last we heard from Californian rock ‘n’ roller Ty Segall, he had toned down his tendencies toward fuzzy, noisy garage-rock and opted for a quieter, simpler approach that channeled retro folk vibes, on 2013’s Sleeper. It wasn’t too unexpected, seeing as how the 27-year-old has explored countless genres since he started performing solo in 2008 (and don’t get me started on his six other bands).
With Manipulator, Segall recalls his psychedelic, ... Read More
Brooklyn-based blues rock band She Keeps Bees dropped a new single from their forthcoming album recently, and the video for the song is just as beautifully surreal and eerie as the single itself.
"Is What It Is" comes out on the album Eight Houses on September 16th from the label Future Gods, which will be the band's fourth full-length album. If you're into some soulful, dark, and dreamy music with goose bump-inducing vocals, the album is ... Read More
in Music Stuff
on Jul 30, 2014
Jenny Lewis’ new album The Voyager dropped yesterday. THIS IS NOT A DRILL. We reported on the amazing moustache-filled cross-dressing wonderment that was her music video for “One of the Guys,” starring our ladyloves Kristen Stewart, Anne Hathaway and Brie Larson, but the day is finally here. THE ALBUM HAS DROPPED.
Former Rilo Kiley front woman Jenny Lewis has produced her third solo album in six years — a perfectly polished musical ... Read More
What do swimming pools, sexual voyeurism, elevators, and eco-terrorist extraterrestrials have in common? They’re all the subjects of songs on Hotel Valentine, Cibo Matto’s first release in 15 years. Much of the album is written from the perspective of a wry ghost who haunts a hotel and delivers deadpan lines like, “I had some cheese and seedless grapes for lunch and floated around for the rest of the afternoon.”
The band’s ... Read More
BY BUST Magazine
on May 23, 2013
New Girl Law is a post-Empirical, proto-fourth-wave-feminist memoir-cum-academic abstract that scrutinizes the current reality and future hope for women aspiring to positions of power in Cambodia. If that sounds heady, know that it also makes our country’s Mommy Wars look like child’s play—and proves, in the meantime, why we should be paying attention to Cambodia’s record of human rights and gender equity.
Author Anne Elizabeth Moore, a ... Read More
Electronic dance music—otherwise known as EDM—sometimes gets a bad rap, but Miss Kittin’s new album Calling from the Stars is a nonstop dance party. The French femme fatale sounds as sharp as ever. Songs like “Night of Light” and “Tamarin Bay” find Miss Kittin experimenting with various pitches and tempos, all while using her voice as a flexible instrument. “Ballad of the 23rd Century” sounds more like a psychotropic call to action ... Read More
Sean Tillmann, aka Har Mar Superstar, is a veteran musician who should be more famous than he is, given that he’s a stellar singer/songwriter with a sublime set of pipes. On Bye Bye 17, his fifth album under the Har Mar moniker, Tillmann takes a detour from 2009’s disco-infused Dark Touches and delves into full-on classic R&B, Sam Cooke-style soul, and early ’70s-era Al Green-inspired tunes. On the opener, “Lady, You Shot Me,” bombastic horns ... Read More
Actual pyramids are bottom-heavy, just like Brightest Darkest Day, the debut from a duo made up of vocalist Drea Smith and OK Go’s Tim Nordwind. The two concoct a range of sonic textures which sometimes captivate and other times get lost in the fray. Album closer “Nothing I Can Say” staggers under a feedback loop as dreary as a rainy day in Manchester. About half the album is bogged down in these kinds of post-punk genuflections—a pity, ... Read More
Lisa Germano’s albums always remind me of a car accident—her lyrical stories contain elements that both attract and repel, like she can’t stop picking at certain wounds, even if it hurts a little. Her newest album No Elephants is rife with similar dualities. Germano’s breathless voice is simultaneously ecstatic and on the verge of a meltdown, especially when she sings lyrics like, “All is not well outside.” A ... Read More