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New Girl Law is a post-Empirical, proto-fourth-wave-feminist memoir-cum-academic abstract that scrutinizes the current reality and future hope for women aspiring to positions of power in Cambodia. If that sounds heady, know that it also makes our country’s Mommy Wars look like child’s play—and proves, in the meantime, why we should be paying attention to Cambodia’s record of human rights and gender equity. Author Anne Elizabeth Moore, a ... Read More
Electronic dance music—otherwise known as EDM—sometimes gets a bad rap, but Miss Kittin’s new album Calling from the Stars is a nonstop dance party. The French femme fatale sounds as sharp as ever. Songs like “Night of Light” and “Tamarin Bay” find Miss Kittin experimenting with various pitches and tempos, all while using her voice as a flexible instrument. “Ballad of the 23rd Century” sounds more like a psychotropic call to action ... Read More
Sean Tillmann, aka Har Mar Superstar, is a veteran musician who should be more famous than he is, given that he’s a stellar singer/songwriter with a sublime set of pipes. On Bye Bye 17, his fifth album under the Har Mar moniker, Tillmann takes a detour from 2009’s disco-infused Dark Touches and delves into full-on classic R&B, Sam Cooke-style soul, and early ’70s-era Al Green-inspired tunes. On the opener, “Lady, You Shot Me,” bombastic horns ... Read More
Actual pyramids are bottom-heavy, just like Brightest Darkest Day, the debut from a duo made up of vocalist Drea Smith and OK Go’s Tim Nordwind. The two concoct a range of sonic textures which sometimes captivate and other times get lost in the fray. Album closer “Nothing I Can Say” staggers under a feedback loop as dreary as a rainy day in Manchester. About half the album is bogged down in these kinds of post-punk genuflections—a pity, ... Read More
  Lisa Germano’s albums always remind me of a car accident—her lyrical stories contain elements that both attract and repel, like she can’t stop picking at certain wounds, even if it hurts a little. Her newest album No Elephants is rife with similar dualities. Germano’s breathless voice is simultaneously ecstatic and on the verge of a meltdown, especially when she sings lyrics like, “All is not well outside.” A ... Read More
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