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Following her debut novel, The City is a Rising Tide, Rebecca Lee presents a collection of seven biting stories about the luxury we take in life’s ordinary comforts, and the threats, real or imagined, that lurk beyond the surface. As of this writing, Bobcat was longlisted for the international Frank O’Connor Prize for story collections, and the praise is due: with deadpan humor, Lee’s light touch illuminates the contrasts in everyday ... Read More
New Girl Law is a post-Empirical, proto-fourth-wave-feminist memoir-cum-academic abstract that scrutinizes the current reality and future hope for women aspiring to positions of power in Cambodia. If that sounds heady, know that it also makes our country’s Mommy Wars look like child’s play—and proves, in the meantime, why we should be paying attention to Cambodia’s record of human rights and gender equity. Author Anne Elizabeth Moore, a ... Read More
 Alida Nugent, of The Frenemy blog fame, has brought her witty snark to the literary world with this debut. The book—a collection of short essays on 20-something life—has fine writing and some genuinely funny lines, but I was initially put off by the subject matter. Nugent spends a lot of time bragging about failed attempts at maturity, seems to revel in her emotional and financial instability, and spends too many pages discussing how best to ... Read More
Two girls romp around the city, tap dancing and play fighting and falling asleep together like puppies. Except they’re not girls, they’re women, and they’re about to be smacked in the face by the reality of adult friendships. Frances (played by co-screenwriter Greta Gerwig) and Sophie (Mickey Sumner) are so tight that Frances turns down moving in with her boyfriend because she wants to keep living with Sophie. But when Sophie announces she wants ... Read More
Going to an Akron/Family show is like attending a hipster tent revival, so it’s fitting that the band’s sixth album is full of psychedelic hymns for its flannel-clad brethren. Mixing folk-y melodies with strange rhythms and switching time signatures and tempos constantly, the band has fully realized its signature genre on Sub Verses: prog folk. Expansive opener “No Room” is a primal waltz with a grinding, repetitive drumbeat and soaring, ... Read More
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