BY BUST Magazine in General on Jan 23, 2014 |
Women, pants, and power have been mixed up together since suffragist Amelia Bloomer paraded around in “Turkishtrousers” in the 1850s. Bloomer’s goal was to reform women’s clothing, with its restrictive corsets and heavy skirts, but her outfit brought mostly ridicule from a public that largely believed trousers, along with the vote, were men’s prerogatives. The bicycle craze of the 1890s helped open women’s minds to the idea of ... Read More
“Have you ever seen anything like it?” reads the copy for this 1981 LEGO advertisement. And no, we haven’t; unlike modern marketing campaigns wherein gender lines and norms are all but drawn in the sand, the ad features a young girl simply enjoying her toys.
The image betrays no sign of the contemporary assumption that girls need special products differentiated from boys’ toys through color, shape, or content. As The ... Read More
Lee Materazzi and her mother are both photographers; while Materazzi works in fine art, her mother has formal training in commercial photography. In Materazzi’s new series on “disrupted domestic acts,” the mother and daughter’s divergent aesthetics come to a head, producing dynamic images that explore the very nature of domestic life.
Materazzi, who has often photographed her mother, allowed her mother to take over for ... Read More
BY Rachael Roth in Feminizzle on Jan 03, 2014 |
2013 was a strange year. Pop culture-wise and politically, we had some memorable moments, even if most of those moments make us cringe or tear up pieces of paper or throw something upon reflection. Thankfully, though, it wasn't all doom and gloom. Microsoft made this video of the year's highlights, showcasing people who invoked technology in different parts of their lives. It serves another purpose, too: to celebrate women who achieved amazing things this past ... Read More
Trigger Warning: This post contains discussion of prostitution
While on display at Leslie Tonkonow Artworks + Projects little over a week ago, Malerie Marder’s thirty portraits hung unframed, pinned simply to the wall. Part of the artist’s first solo show, each photograph in Anatomy depicts one of the Netherlands’s diverse group of legal sex workers. The work is also available in book form.
In previous projects, Marder has ... Read More