Posted by: Tess Duncan
in Music Stuff
on Jun 10, 2013
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It's been awhile since we've heard any new music from the feminist punk legend (half a year to be exact), but it was well worth the wait. "Oh Come On" is a high-energy, fuzzed out punk song that showcases the Bikini Kill members' talents that we've come to love so deeply. (Kathi Wilcox of BK is slappin' da bass, while drummer Carmine Covelli, guitarist Sara Landeau, and keyboardist Kenny Mellman cover the rest of the bases in the Julie ...
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Posted by: Amy LaCount
in Music Stuff
on Jun 06, 2013
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Zooey Deschanel’s daily existence is evidence enough that feminists can be feminine as hell and run the show, but if you wanted more proof, listen in: She & Him's newest release, "I Could've Been Your Girl," was directed by Deschanel herself.
“After seven years and four albums with She & Him, I figured it was about time I took a crack at making a video for a song I wrote,” she says of her directing debut.
Check ...
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Posted by: BUST Magazine
in Music Stuff
on Jun 05, 2013
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The title of Queens of the Stone Age’s new album will certainly provoke giggles given that this is their first new release since 2007, but it’s as if Josh Homme and company never left. …Like Clockwork is a welcome continuation of QOTSA’s syrupy groove, but the band also does all sorts of little things to establish a new chapter on this record. While the core of the group remains the same, Homme has widened ...
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Posted by: Tess Duncan
in Music Stuff
on Jun 05, 2013
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Detroit rapper Angel Haze first caught our eye when she dropped the heavy, deeply personal "Cleanin' Out My Closet" last year. Haze's detailed account of her repeated sexual abuse was compelling to say the least, and made the lyricist a household name in the rap world. She's been spinning out mixtapes like it's NBD, plus an EP in 2012, and now we're anxiously awaiting Dirty Gold, her upcoming studio album.
To quench our Haze-y thirst, she's ...
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Posted by: BUST Magazine
in Music Stuff
on May 29, 2013
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Bearing one of the cutest singer/songwriter names ever, England’s Little Boots stomps out her newest album, Nocturnes, with adorable results. Victoria Hesketh plays a bevy of instruments—most of them electric—and produces a positive, electropop care package containing a handful of gems, secured on all sides with fluffy, French vanilla filler. The emotional and whole-note driven “Motorway” opens Nocturnes, and is a great segue ...
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