BY BUST Magazine in Artsy on Dec 03, 2013 |
I have a pretty kick-ass job: editing some of the creativity books is part of my job at Perigee Books. I’ve gotten to deliberately spill coffee on the publicity materials for Keri Smith’s Wreck This Journal. For Michelle Taute’s Fold Me Up, I spent hours at my desk tinkering with old-school fortune tellers, making sure they all folded in a way that would do my inner fourth-grader proud. (And if I find myself with a creative block, I can ... Read More
Zackary Drucker: "I identify as human."
Policy Mic recently asked the photographer Amos Mac to contribute a portfolio of his portraits of transgender individuals to their series on Transgender Day Of Remembrance 2013. For Amos Mac, a groundbreaking artist and trans activist, the task was daunting. Portraits capture their subjects in a specific moment in time, but our identities, whether we are cisgender or transgender, are fluid. Portraits like Amos’s ... Read More
The photographer Howard Schatz is renowned for his sculptural portraiture; with heavily contrasted and high resolution images, he is able to capture human bodies in a way that echoes architectural monuments. Through his lens, the human form glistens, morphs into powerful abstract shapes. His project With Child highlights the strength inherent in the pregnant form; he catalogues female bodies right before and right after birth without a trace of the ... Read More
Popcorn Venus, 2012. Joyce II.When you think of women photographers who work in self-portraiture, you probably think of Cindy Sherman. The artist has made a career of transforming herself into everything from a bleached blonde spray-tanned socialite to Mae West. Her impressive body of work is such that she appears to be everywhere, capable of metamorphosing into anyone she chooses.
It’s almost impossible to work in self portraiture without ... Read More
My grandmother was an artist, and throughout her career, she’d make abstract sculptures and embroidery that I’d stare at for hours as a child: “oh, that looks like a face, and that there? That’s an animal.” Our play was art-making, and I was always amazed at how different her aesthetic would become when she was with me. Her paper dolls weren’t abstract at all; I’d make an abstract shape, and she’d magically ... Read More
The Greek photographer Penelope Koliopoulou is tired of seeing romantic comedies that end as soon as the main couple gets together. From her yearning for more complex representations of intimacy, she created Self Portraits, a series of staged narratives in which she plays both the male and the female involved in a heterosexual relationship.
Her initial impulse was to explore film stills in a way I imagine would be much like the work of ... Read More
From today until March 2nd, we the public have the honor of gazing upon Thomas Kluge’s ginormous portrait of the Danish royal family at Christian VIII’s Palace at Amalienborg before it retires to the Fredensborg Palace to live with the family.
Kluge spent four years on his masterpiece, but it hasn’t been well-received. Because it’s, well, kinda creepy. Prince Christian, the young heir to the throne, stands in the ... Read More
In many ways, photography has always been about voyeurism, about examining a subject with or without their consent. The internet magnifies our desire to peer into each other’s windows, and photographers are catching on. Doug Rickard and others have used Google Maps to survey the world. The content on the internet is open for consumption as soon as it gets put out there, and the photo collage artist Julia Geiser takes full advantage the ... Read More
As children, many of us turn to our toys to navigate our developing identities. Sometimes, our dolls serve as surrogates; we parent them the way we see our children parenting us, and we identify with them. Photography operates similarly: as teens, we might dog-ear or collect magazine images that appeal to our expanding sense of self. Since so many dolls and photographs in mainstream fashion magazines present a grossly limited definition of femininity, it ... Read More
In Saudi Arabia, images are censored in extreme ways; figures in magazines are drawn over or crossed out. In “Out of Line,” the photographer Jowhara Al-Saud presents a groundbreaking approach to her country’s limits on free expression. Her photographs obscure any personal markers; the faces of her subjects are erased. The images could easily be mistaken for drawings, and this ambiguity only adds to the frightening sense that the viewer ... Read More